{"id":61405,"date":"2023-12-04T11:20:34","date_gmt":"2023-12-04T02:20:34","guid":{"rendered":"https:\/\/monolith.law\/tr\/?p=61405"},"modified":"2024-03-15T23:53:37","modified_gmt":"2024-03-15T14:53:37","slug":"music-download-copyright-law","status":"publish","type":"post","link":"https:\/\/monolith.law\/tr\/internet\/music-download-copyright-law","title":{"rendered":"Karaoke Videolar\u0131 Yasal m\u0131? Video Y\u00fcklerken Dikkat Edilmesi Gereken Japon 'Telif Hakk\u0131 ve \u0130lgili Haklar' Nedir?"},"content":{"rendered":"\n<p>Karaoke m\u00fcziklerini izinsiz kullanarak video olu\u015fturan ve bunlar\u0131 YouTube&#8217;a y\u00fckleyen bir erkek, 2018 Eyl\u00fcl&#8217;de (Heisei 30) belgelerle yarg\u0131lanm\u0131\u015ft\u0131r.<\/p>\n\n\n\n<p>Yarg\u0131lama \u015f\u00fcphesi, bir m\u00fczik da\u011f\u0131t\u0131m \u015firketinin internet \u00fczerinden \u00fccretli olarak da\u011f\u0131tt\u0131\u011f\u0131 karaoke m\u00fcziklerini be\u015f kez haks\u0131z yere indirip, \u015fark\u0131 s\u00f6zleri ekleyerek karaoke videosu olu\u015fturup YouTube&#8217;a y\u00fcklemesi ve yakla\u015f\u0131k 800 bin Yen reklam geliri elde etmesi idi. Ancak, ihlal edilen hak, &#8216;Japon Telif Hakk\u0131&#8217; idi.<\/p>\n\n\n\n<p>&#8216;Japon Telif Hakk\u0131&#8217; gibi haklar genellikle g\u00f6z ard\u0131 edilir, ancak m\u00fczik olu\u015fturma ve kullanma konusunda \u00f6nemli haklard\u0131r ve bilgi eksikli\u011fi nedeniyle fark\u0131nda olmadan ihlal edilebilir.<\/p>\n\n\n\n<p>Burada, m\u00fczikle ilgili haklar olarak &#8216;Japon Telif Hakk\u0131&#8217;n\u0131 ele alaca\u011f\u0131z.<\/p>\n\n\n\n<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_53 counter-hierarchy ez-toc-counter ez-toc-grey ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<span class=\"ez-toc-title-toggle\"><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/monolith.law\/tr\/internet\/music-download-copyright-law\/#Telif_Hakki_Yan_Haklari_Nedir\" title=\" Telif Hakk\u0131 Yan Haklar\u0131 Nedir \"> Telif Hakk\u0131 Yan Haklar\u0131 Nedir <\/a><ul class='ez-toc-list-level-3'><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/monolith.law\/tr\/internet\/music-download-copyright-law\/#Performans_Sanatcisi_Kimdir\" title=\" Performans Sanat\u00e7\u0131s\u0131 Kimdir \"> Performans Sanat\u00e7\u0131s\u0131 Kimdir <\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/monolith.law\/tr\/internet\/music-download-copyright-law\/#Kayit_Yapimcisi_Kimdir\" title=\" Kay\u0131t Yap\u0131mc\u0131s\u0131 Kimdir \"> Kay\u0131t Yap\u0131mc\u0131s\u0131 Kimdir <\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/monolith.law\/tr\/internet\/music-download-copyright-law\/#Yayin_Isletmecisi_Kimdir\" title=\" Yay\u0131n \u0130\u015fletmecisi Kimdir \"> Yay\u0131n \u0130\u015fletmecisi Kimdir <\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/monolith.law\/tr\/internet\/music-download-copyright-law\/#Kablolu_Yayin_Isletmecisi_Kimdir\" title=\" Kablolu Yay\u0131n \u0130\u015fletmecisi Kimdir \"> Kablolu Yay\u0131n \u0130\u015fletmecisi Kimdir <\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/monolith.law\/tr\/internet\/music-download-copyright-law\/#Telif_Hakki_ve_Mulkiyet_Hakki\" title=\" Telif Hakk\u0131 ve M\u00fclkiyet Hakk\u0131 \"> Telif Hakk\u0131 ve M\u00fclkiyet Hakk\u0131 <\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/monolith.law\/tr\/internet\/music-download-copyright-law\/#Video_Yayini_ve_Telif_Haklari\" title=\" Video Yay\u0131n\u0131 ve Telif Haklar\u0131 \"> Video Yay\u0131n\u0131 ve Telif Haklar\u0131 <\/a><ul class='ez-toc-list-level-3'><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-8\" href=\"https:\/\/monolith.law\/tr\/internet\/music-download-copyright-law\/#Sozde_Master_Haklari\" title=\" S\u00f6zde Master Haklar\u0131 \"> S\u00f6zde Master Haklar\u0131 <\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-9\" href=\"https:\/\/monolith.law\/tr\/internet\/music-download-copyright-law\/#Telif_Hakki_Yan_Haklari_ve_Telif_Haklari\" title=\" Telif Hakk\u0131 Yan Haklar\u0131 ve Telif Haklar\u0131 \"> Telif Hakk\u0131 Yan Haklar\u0131 ve Telif Haklar\u0131 <\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-10\" href=\"https:\/\/monolith.law\/tr\/internet\/music-download-copyright-law\/#Muzik_Kullanimi_ve_Telif_Hakki_Yan_Haklari\" title=\" M\u00fczik Kullan\u0131m\u0131 ve Telif Hakk\u0131 Yan Haklar\u0131 \"> M\u00fczik Kullan\u0131m\u0131 ve Telif Hakk\u0131 Yan Haklar\u0131 <\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-11\" href=\"https:\/\/monolith.law\/tr\/internet\/music-download-copyright-law\/#Ozet\" title=\" \u00d6zet \"> \u00d6zet <\/a><\/li><\/ul><\/nav><\/div>\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Telif_Hakki_Yan_Haklari_Nedir\"><\/span> Telif Hakk\u0131 Yan Haklar\u0131 Nedir <span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p>Geni\u015f anlamda &#8220;telif hakk\u0131&#8221;, &#8220;yazar\u0131n haklar\u0131 (telif hakk\u0131)&#8221; ve &#8220;telif hakk\u0131 yan haklar\u0131&#8221; olmak \u00fczere ikiye ayr\u0131l\u0131r. &#8220;Yazar\u0131n haklar\u0131 (telif hakk\u0131)&#8221; bir eseri &#8220;yarat\u0131c\u0131ya&#8221; verilirken, &#8220;telif hakk\u0131 yan haklar\u0131&#8221;, eserleri insanlara &#8220;iletenlere&#8221; verilen haklard\u0131r.<\/p>\n\n\n\n<p>Bu t\u00fcr &#8220;iletim&#8221; \u00e7e\u015fitli bi\u00e7imlerde ger\u00e7ekle\u015ftirilir, ancak telif hakk\u0131 kanunu &#8220;performans sanat\u00e7\u0131lar\u0131&#8221;, &#8220;kay\u0131t yap\u0131mc\u0131lar\u0131&#8221;, &#8220;yay\u0131n i\u015fletmecileri&#8221; ve &#8220;kablolu yay\u0131n i\u015fletmecileri&#8221; olmak \u00fczere d\u00f6rt taraf\u0131 koruma alt\u0131na al\u0131r ve telif hakk\u0131 gibi, uluslararas\u0131 kurallara g\u00f6re kay\u0131t veya ba\u015fvuru gibi i\u015flemler yapmadan otomatik olarak olu\u015fur.<\/p>\n\n\n\n<p><a href=\"https:\/\/monolith.law\/corporate\/intellectual-property-infringement-risk\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/monolith.law\/corporate\/intellectual-property-infringement-risk[ja]<\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Performans_Sanatcisi_Kimdir\"><\/span> Performans Sanat\u00e7\u0131s\u0131 Kimdir <span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n\n\n<p>&#8220;Performans&#8221;, &#8220;Bir eseri, tiyatral bir \u015fekilde oynama, dans etme, \u00e7alma, \u015fark\u0131 s\u00f6yleme, konu\u015fma, okuma veya ba\u015fka bir y\u00f6ntemle performe etme (bunlara benzer eylemler aras\u0131nda, bir eseri performe etmeyen ancak sanatsal bir niteli\u011fi olanlar\u0131 da i\u00e7erir.)&#8221; olarak tan\u0131mlanm\u0131\u015ft\u0131r (Japon Telif Hakk\u0131 Kanunu Madde 2, Paragraf 1, Madde 3). &#8220;Bir eseri performe etmeyen ancak sanatsal bir niteli\u011fi olanlar&#8221; aras\u0131nda, sihirbazl\u0131k, akrobasi, hokkabazl\u0131k, taklit gibi \u015feyler bulunur ve buz pateni g\u00f6sterileri veya sirk gibi &#8220;seyirciye y\u00f6nelik g\u00f6steriler&#8221; de performans olarak kabul edilir.<\/p>\n\n\n\n<p>&#8220;Performans sanat\u00e7\u0131s\u0131&#8221;, &#8220;akt\u00f6r, dans\u00e7\u0131, m\u00fczisyen, \u015fark\u0131c\u0131 ve di\u011fer performanslar\u0131 yapanlar ve performanslar\u0131 y\u00f6neten veya y\u00f6nlendirenler&#8221; olarak tan\u0131mlanm\u0131\u015ft\u0131r (Japon Telif Hakk\u0131 Kanunu Madde 2, Paragraf 1, Madde 4). Bir \u015feyi \u015fark\u0131 s\u00f6yleyen, dans eden, okuyan bir ki\u015fi performans sanat\u00e7\u0131s\u0131 olur, ancak bu sadece eserlerle s\u0131n\u0131rl\u0131 de\u011fildir, hokkabazl\u0131k veya taklit gibi eser olmayan \u015feyler de dahildir.<\/p>\n\n\n\n<p>Ve korunan performanslar, Japon Telif Hakk\u0131 Kanunu Madde 7&#8217;ye g\u00f6re,<\/p>\n\n\n\n<ul>\n<li>Japonya&#8217;da ger\u00e7ekle\u015ftirilen performanslar <\/li>\n\n\n\n<li>Korunan bir kay\u0131tta sabitlenmi\u015f performanslar <\/li>\n\n\n\n<li>Korunan bir yay\u0131nda iletilen performanslar <\/li>\n\n\n\n<li>Korunan bir kablolu yay\u0131nda iletilen performanslar <\/li>\n\n\n\n<li>&#8220;Performans Sanat\u00e7\u0131lar\u0131 ve Kay\u0131t Yap\u0131mc\u0131lar\u0131na \u0130li\u015fkin Koruma Anla\u015fmas\u0131&#8221;, &#8220;D\u00fcnya Fikri M\u00fclkiyet \u00d6rg\u00fct\u00fc Performans ve Kay\u0131t Anla\u015fmas\u0131&#8221;, &#8220;TRIPS Anla\u015fmas\u0131&#8221;, &#8220;Pekin Anla\u015fmas\u0131&#8217;na G\u00f6re G\u00f6rsel-\u0130\u015fitsel Performanslar&#8221; ile Japonya&#8217;n\u0131n koruma y\u00fck\u00fcml\u00fcl\u00fc\u011f\u00fc alt\u0131nda olan performanslar <\/li>\n<\/ul>\n\n\n\n<p>\u015feklindedir.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Kayit_Yapimcisi_Kimdir\"><\/span> Kay\u0131t Yap\u0131mc\u0131s\u0131 Kimdir <span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n\n\n<p>&#8220;Kay\u0131t&#8221;, sesin (sadece eserlerle s\u0131n\u0131rl\u0131 de\u011fil) ilk kez sabitlendi\u011fi (kaydedildi\u011fi) \u015feydir (s\u00f6zde &#8220;ana plak&#8221;) ve medya \u00f6nemli de\u011fildir, bu nedenle CD, kaset, bilgisayar\u0131n sabit diski vb. \u00fczerine kaydedildi\u011finde, bir kay\u0131t olur (Japon Telif Hakk\u0131 Kanunu Madde 2, Paragraf 1, Madde 5). Ayr\u0131ca, ana plakay\u0131 (kay\u0131t) kopyalayarak piyasaya s\u00fcr\u00fclen CD&#8217;ler vb. &#8220;ticari kay\u0131tlar&#8221; olarak adland\u0131r\u0131l\u0131r (Japon Telif Hakk\u0131 Kanunu Madde 2, Paragraf 1, Madde 7).<\/p>\n\n\n\n<p>&#8220;Kay\u0131t yap\u0131mc\u0131s\u0131&#8221;, bir sesi ilk kez sabitleyen (kaydeden) ve ana plakay\u0131 (kay\u0131t) yapan ki\u015fidir (Japon Telif Hakk\u0131 Kanunu Madde 2, Paragraf 1, Madde 6).<\/p>\n\n\n\n<p>Dikkat edilmesi gereken nokta, &#8220;sesin&#8221; sadece eserlerle s\u0131n\u0131rl\u0131 olmamas\u0131d\u0131r, bu nedenle do\u011fa sesleri de dahil olabilir. Ayr\u0131ca, &#8220;sesin sabitlenmesi&#8221; sadece kay\u0131tla s\u0131n\u0131rl\u0131 olmad\u0131\u011f\u0131ndan, karaoke ses kaynaklar\u0131n\u0131 olu\u015fturan karaoke i\u015fletmecileri veya di\u011fer MIDI verilerini olu\u015fturan i\u015fletmeciler de kay\u0131t yap\u0131mc\u0131s\u0131 olabilir.<\/p>\n\n\n\n<p>Korunan kay\u0131tlar, Japon Telif Hakk\u0131 Kanunu Madde 7&#8217;ye g\u00f6re,<\/p>\n\n\n\n<ul>\n<li>Japon vatanda\u015flar\u0131n\u0131n yapt\u0131\u011f\u0131 kay\u0131tlar <\/li>\n\n\n\n<li>Japonya&#8217;da yap\u0131lan (sesin ilk kez Japonya&#8217;da sabitlendi\u011fi) kay\u0131tlar<\/li>\n\n\n\n<li>&#8220;Performans Sanat\u00e7\u0131lar\u0131 ve Kay\u0131t Yap\u0131mc\u0131lar\u0131na \u0130li\u015fkin Koruma Anla\u015fmas\u0131&#8221;, &#8220;D\u00fcnya Fikri M\u00fclkiyet \u00d6rg\u00fct\u00fc Performans ve Kay\u0131t Anla\u015fmas\u0131&#8221;, &#8220;TRIPS Anla\u015fmas\u0131&#8221;, &#8220;Kay\u0131t Koruma Anla\u015fmas\u0131&#8221; ile Japonya&#8217;n\u0131n koruma y\u00fck\u00fcml\u00fcl\u00fc\u011f\u00fc alt\u0131nda olan kay\u0131tlar<\/li>\n<\/ul>\n\n\n\n<p>\u015feklindedir.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Yayin_Isletmecisi_Kimdir\"><\/span> Yay\u0131n \u0130\u015fletmecisi Kimdir <span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n\n\n<p>&#8220;Yay\u0131n&#8221;, &#8220;kamu yay\u0131n\u0131&#8221;n\u0131n bir par\u00e7as\u0131 olup, halk\u0131n (&#8220;belirsiz ki\u015filer&#8221; veya &#8220;belirli bir\u00e7ok ki\u015fi&#8221;) taraf\u0131ndan ayn\u0131 i\u00e7eri\u011fin (sadece eserlerle s\u0131n\u0131rl\u0131 de\u011fil) ayn\u0131 anda al\u0131nmas\u0131 amac\u0131yla yap\u0131lan kablosuz iletimdir ve televizyon yay\u0131n\u0131 gibi, program\u0131n &#8220;her zaman al\u0131c\u0131n\u0131n eline ula\u015ft\u0131\u011f\u0131&#8221; t\u00fcrden bir iletim bi\u00e7imidir (Japon Telif Hakk\u0131 Kanunu Madde 2, Paragraf 1, Madde 8).<\/p>\n\n\n\n<p>Server vb. otomatik kamu yay\u0131n\u0131 cihazlar\u0131 arac\u0131l\u0131\u011f\u0131yla yap\u0131lan durumlarda, &#8220;internet yay\u0131n\u0131&#8221;, &#8220;webcast&#8221; vb., cihaz i\u00e7indeki &#8220;birikim&#8221;i i\u00e7ermeyen durumlarda bile, &#8220;program\u0131n her zaman al\u0131c\u0131n\u0131n eline ula\u015ft\u0131\u011f\u0131&#8221; bir \u015fey olmad\u0131\u011f\u0131ndan, yay\u0131n kapsam\u0131na girmez.<\/p>\n\n\n\n<p>&#8220;Yay\u0131n i\u015fletmecisi&#8221;, yay\u0131n\u0131 i\u015f olarak yapan ki\u015fi olarak tan\u0131mlanm\u0131\u015ft\u0131r (Japon Telif Hakk\u0131 Kanunu Madde 2, Paragraf 1, Madde 9) ve kamp\u00fcs FM vb. programlar\u0131 ileten (yay\u0131nlayan) ki\u015filer de dahil olabilir.<\/p>\n\n\n\n<p>Korunan yay\u0131nlar, Japon Telif Hakk\u0131 Kanunu Madde 7&#8217;ye g\u00f6re,<\/p>\n\n\n\n<ul>\n<li>Japon vatanda\u015flar\u0131n\u0131n i\u015f olarak yapt\u0131\u011f\u0131 yay\u0131nlar <\/li>\n\n\n\n<li>Yerel yay\u0131n ekipmanlar\u0131ndan yap\u0131lan yay\u0131nlar <\/li>\n\n\n\n<li>&#8220;Performans Sanat\u00e7\u0131lar\u0131 ve Kay\u0131t Yap\u0131mc\u0131lar\u0131na \u0130li\u015fkin Koruma Anla\u015fmas\u0131&#8221;, &#8220;TRIPS Anla\u015fmas\u0131&#8221; ile Japonya&#8217;n\u0131n koruma y\u00fck\u00fcml\u00fcl\u00fc\u011f\u00fc alt\u0131nda olan yay\u0131nlar<\/li>\n<\/ul>\n\n\n\n<p>\u015feklindedir.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Kablolu_Yayin_Isletmecisi_Kimdir\"><\/span> Kablolu Yay\u0131n \u0130\u015fletmecisi Kimdir <span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n\n\n<p>&#8220;Kablolu yay\u0131n&#8221;, &#8220;kamu yay\u0131n\u0131&#8221;n\u0131n bir par\u00e7as\u0131 olup, halk\u0131n ayn\u0131 i\u00e7eri\u011fi (sadece eserlerle s\u0131n\u0131rl\u0131 de\u011fil) ayn\u0131 anda almas\u0131 amac\u0131yla yap\u0131lan kablolu iletimdir ve kablolu televizyon yay\u0131n\u0131 gibi, program\u0131n &#8220;her zaman al\u0131c\u0131n\u0131n eline ula\u015ft\u0131\u011f\u0131&#8221; t\u00fcrden bir iletim bi\u00e7imidir (Japon Telif Hakk\u0131 Kanunu Madde 2, Paragraf 1, Madde 9-2).<\/p>\n\n\n\n<p>Server vb. otomatik kamu yay\u0131n\u0131 cihazlar\u0131 arac\u0131l\u0131\u011f\u0131yla yap\u0131lan durumlarda, &#8220;internet yay\u0131n\u0131&#8221;, &#8220;webcast&#8221; vb., cihaz i\u00e7indeki &#8220;birikim&#8221;i i\u00e7ermeyen durumlarda bile, &#8220;program\u0131n her zaman al\u0131c\u0131n\u0131n eline ula\u015ft\u0131\u011f\u0131&#8221; bir \u015fey olmad\u0131\u011f\u0131ndan, kablolu yay\u0131n kapsam\u0131na girmez.<\/p>\n\n\n\n<p>&#8220;Kablolu yay\u0131n i\u015fletmecisi&#8221;, kablolu yay\u0131n\u0131 i\u015f olarak yapan ki\u015fi olarak tan\u0131mlanm\u0131\u015ft\u0131r (Japon Telif Hakk\u0131 Kanunu Madde 2, Paragraf 1, Madde 9-3) ve korunan kablolu yay\u0131nlar, Japon Telif Hakk\u0131 Kanunu Madde 9-2&#8217;ye g\u00f6re,<\/p>\n\n\n\n<ul>\n<li>Japon vatanda\u015flar\u0131n\u0131n i\u015f olarak yapt\u0131\u011f\u0131 kablolu yay\u0131nlar (yay\u0131n\u0131 alarak yap\u0131lanlar\u0131 hari\u00e7) <\/li>\n\n\n\n<li>Yerel kablolu yay\u0131n ekipmanlar\u0131ndan yap\u0131lan kablolu yay\u0131nlar (yay\u0131n\u0131 alarak yap\u0131lanlar\u0131 hari\u00e7)<\/li>\n<\/ul>\n\n\n\n<p>\u015feklindedir.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Telif_Hakki_ve_Mulkiyet_Hakki\"><\/span> Telif Hakk\u0131 ve M\u00fclkiyet Hakk\u0131 <span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/monolith.law\/wp-content\/uploads\/2020\/05\/shutterstock_719445016-1024x682.jpg\" alt=\"\" class=\"wp-image-9691\" \/><\/figure>\n\n\n\n<p>Telif hakk\u0131, &#8220;(m\u00fclkiyet hakk\u0131 olarak) telif hakk\u0131&#8221; ve &#8220;yazar\u0131n ki\u015filik haklar\u0131&#8221; olmak \u00fczere iki t\u00fcrd\u00fcr, ancak telif hakk\u0131 kom\u015fu haklar\u0131 temelde bir t\u00fcrd\u00fcr ve &#8220;m\u00fclkiyet hakk\u0131&#8221; olur.<\/p>\n\n\n\n<p>Ancak, sadece performans sanat\u00e7\u0131lar\u0131na, yazar\u0131n ki\u015filik haklar\u0131na benzer &#8220;performans sanat\u00e7\u0131s\u0131n\u0131n ki\u015filik haklar\u0131&#8221; verilir, bu nedenle sadece performans sanat\u00e7\u0131lar\u0131na &#8220;performans sanat\u00e7\u0131s\u0131n\u0131n ki\u015filik haklar\u0131&#8221; ve &#8220;m\u00fclkiyet haklar\u0131&#8221; olmak \u00fczere iki t\u00fcr verilir.<\/p>\n\n\n\n<p><a href=\"https:\/\/monolith.law\/reputation\/protection-author-moral-rights\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/monolith.law\/reputation\/protection-author-moral-rights[ja]<\/a><\/p>\n\n\n\n<p>Yazar\u0131n sahip oldu\u011fu m\u00fclkiyet haklar\u0131 temelde t\u00fcm &#8220;izin haklar\u0131d\u0131r&#8221; ve ba\u015fkalar\u0131n\u0131n izinsiz kullanmas\u0131n\u0131 durdurma hakk\u0131d\u0131r, ancak telif hakk\u0131 kom\u015fu haklar\u0131n\u0131n m\u00fclkiyet haklar\u0131nda, bu izin hakk\u0131n\u0131n yan\u0131 s\u0131ra &#8220;\u00fccret talep hakk\u0131&#8221; vard\u0131r ve ba\u015fkalar\u0131n\u0131n kullanmas\u0131 durumunda kullan\u0131m \u00fccreti gibi ko\u015fullar\u0131 belirleyerek kullanmalar\u0131na izin verebilirsiniz. \u00dccret talep hakk\u0131 ile ba\u015fkalar\u0131n\u0131n kullanmas\u0131n\u0131 durduramazs\u0131n\u0131z, ancak para \u00f6demeniz gerekti\u011fini s\u00f6yleyebilirsiniz.<\/p>\n\n\n\n<p>M\u00fclkiyet haklar\u0131na gelince, &#8220;canl\u0131 performans&#8221;, &#8220;kay\u0131tl\u0131 performans&#8221; ve filmler, televizyon programlar\u0131, videolar vb. &#8220;film eserlerine kaydedilen performanslar&#8221; hakk\u0131nda d\u00fc\u015f\u00fcnmek iyi olacakt\u0131r. \u00d6rne\u011fin, &#8220;film eserlerine kaydedilen performanslar&#8221; durumunda, bir akt\u00f6r gibi bir performans sanat\u00e7\u0131s\u0131n\u0131n onay\u0131n\u0131 alarak kaydedilen performans\u0131 kullanmak istedi\u011finizde, prensip olarak, performans sanat\u00e7\u0131s\u0131n\u0131n onay\u0131n\u0131 tekrar alman\u0131z gerekmez. (Japon Telif Hakk\u0131 Kanunu&#8217;nun 91. maddesi 2. f\u0131kras\u0131, 92. maddesi 2. f\u0131kras\u0131, 92.2 maddesi 2. f\u0131kras\u0131)<\/p>\n\n\n\n<p>Ancak, bir m\u00fczik CD&#8217;sini kopyalamak gibi durumlarda, sadece &#8220;\u015fark\u0131 s\u00f6z\u00fc yazar\u0131&#8221; ve &#8220;kay\u0131t yap\u0131mc\u0131s\u0131&#8221; de\u011fil, ayn\u0131 zamanda &#8220;\u015fark\u0131c\u0131&#8221; ve &#8220;m\u00fczisyen&#8221; gibi &#8220;performans sanat\u00e7\u0131lar\u0131n\u0131n&#8221; onay\u0131n\u0131 da alman\u0131z gerekmektedir.<\/p>\n\n\n\n<p>Buna kar\u015f\u0131l\u0131k, bir video veya DVD&#8217;yi kopyalarken, film yap\u0131mc\u0131s\u0131n\u0131n veya senaristin onay\u0131n\u0131 alman\u0131z gerekmektedir, ancak &#8220;akt\u00f6r&#8221; gibi &#8220;performans sanat\u00e7\u0131lar\u0131n\u0131n&#8221; onay\u0131n\u0131 alman\u0131z gerekmez.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Video_Yayini_ve_Telif_Haklari\"><\/span> Video Yay\u0131n\u0131 ve Telif Haklar\u0131 <span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p> Mart 2008&#8217;de, YouTube, Japonya Haklar\u0131 Temizleme (JRC) ile ilk kez kapsaml\u0131 bir kullan\u0131m izni anla\u015fmas\u0131 imzalad\u0131 ve ayn\u0131 y\u0131l\u0131n May\u0131s ay\u0131nda e-License ve Ekim ay\u0131nda JASRAC ile kullan\u0131m izni ko\u015fullar\u0131nda anla\u015fmaya vard\u0131. <\/p>\n\n\n\n<p> Ayr\u0131ca, NicoNico Video 2008-2009 y\u0131llar\u0131nda ve USTREAM Temmuz 2010&#8217;da JASRAC, JRC ve e-License ile kapsaml\u0131 kullan\u0131m izni anla\u015fmas\u0131 imzalad\u0131. <\/p>\n\n\n\n<p> Bu kapsaml\u0131 anla\u015fma sayesinde, kullan\u0131c\u0131lar JASRAC y\u00f6netimindeki \u015fark\u0131lar\u0131 \u00e7alabilir ve YouTube gibi platformlarda video yay\u0131nlayabilirler. <\/p>\n\n\n\n<p> Ancak, CD kaynaklar\u0131n\u0131 veya promosyon videolar\u0131n\u0131 do\u011frudan yay\u0131nlaman\u0131n veya bunlar\u0131 arka plan m\u00fczi\u011fi olarak kullanman\u0131n m\u00fcmk\u00fcn olmad\u0131\u011f\u0131na dikkat etmek gerekmektedir. <\/p>\n\n\n\n<p> \u00c7\u00fcnk\u00fc bu kapsaml\u0131 anla\u015fmalarla haklar\u0131n i\u015flenmesi sadece &#8220;telif hakk\u0131&#8221;d\u0131r ve JASRAC&#8217;\u0131n y\u00f6netemedi\u011fi &#8220;telif hakk\u0131 yan haklar\u0131&#8221; kapsanmamaktad\u0131r. <\/p>\n\n\n\n<p> Ve m\u00fczik yay\u0131n\u0131nda \u00f6nemli olan telif hakk\u0131 yan haklar\u0131, plak yap\u0131mc\u0131s\u0131n\u0131n haklar\u0131, yani master haklar\u0131d\u0131r. <\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Sozde_Master_Haklari\"><\/span> S\u00f6zde Master Haklar\u0131 <span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n\n\n<p> Bir kay\u0131t i\u00e7in \u015fark\u0131c\u0131lar, m\u00fczisyenler ve di\u011fer performans sanat\u00e7\u0131lar\u0131 ile yap\u0131lan anla\u015fmalarda, performans sanat\u00e7\u0131s\u0131n\u0131n haklar\u0131 genellikle plak yap\u0131mc\u0131s\u0131na (prod\u00fcksiyon \u015firketleri, plak \u015firketleri, etiketler vb.) devredilir. Bu nedenle, master haklar\u0131 genellikle bu performans sanat\u00e7\u0131lar\u0131n\u0131n haklar\u0131n\u0131 da i\u00e7erir. <\/p>\n\n\n\n<p> Performans sanat\u00e7\u0131s\u0131n\u0131n tazminat talep hakk\u0131 (yay\u0131n kullan\u0131m \u00fccretleri veya kiralama \u00fccretlerini talep etme hakk\u0131) devredilmez ve bu haklar K\u00fclt\u00fcr Ajans\u0131 taraf\u0131ndan belirlenen bir organizasyon (Sanat\u00e7\u0131lar Derne\u011fi CPRA) arac\u0131l\u0131\u011f\u0131yla kullan\u0131l\u0131r. <\/p>\n\n\n\n<p> Master haklar\u0131, plak yap\u0131mc\u0131s\u0131n\u0131n &#8220;\u00e7o\u011faltma hakk\u0131&#8221;, &#8220;iletim yetene\u011fi hakk\u0131&#8221;, &#8220;devir hakk\u0131&#8221;, &#8220;\u00f6d\u00fcn\u00e7 verme hakk\u0131&#8221; ve performans sanat\u00e7\u0131s\u0131n\u0131n &#8220;kay\u0131t hakk\u0131&#8221;, &#8220;yay\u0131n hakk\u0131 ve kablolu yay\u0131n hakk\u0131&#8221;, &#8220;iletim yetene\u011fi hakk\u0131&#8221;, &#8220;devir hakk\u0131&#8221;, &#8220;\u00f6d\u00fcn\u00e7 verme hakk\u0131&#8221; gibi izin haklar\u0131n\u0131 i\u00e7erir. <\/p>\n\n\n\n<p> \u0130zin hakk\u0131, ba\u015fkalar\u0131n\u0131n kullan\u0131m\u0131na izin verme anlam\u0131na gelir, yani ba\u015fkalar\u0131 izin verilmedik\u00e7e kullanamazlar. Bu nedenle, bir ticari CD&#8217;nin kopyas\u0131n\u0131 (yani \u00e7o\u011faltma) yapmak, master haklar\u0131na sahip olan\u0131n izni olmadan hak ihlali olur. <\/p>\n\n\n\n<p> YouTube&#8217;a y\u00fckleme veya kendi SNS veya web sitesine y\u00fckleme gibi iletim yetene\u011fi kullan\u0131m\u0131 da ayn\u0131d\u0131r. <\/p>\n\n\n\n<p> Ba\u015fta belirtildi\u011fi gibi, \u015f\u00fcpheli, master hak sahibinin izni olmadan \u00e7o\u011faltma ve iletim yetene\u011fi kullan\u0131m\u0131n\u0131 ger\u00e7ekle\u015ftirdi\u011fi i\u00e7in telif hakk\u0131 yan haklar\u0131n\u0131 ihlal etmi\u015f ve telif hakk\u0131 ihlali su\u00e7lamas\u0131yla kar\u015f\u0131 kar\u015f\u0131ya kalm\u0131\u015ft\u0131r. <\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Telif_Hakki_Yan_Haklari_ve_Telif_Haklari\"><\/span> Telif Hakk\u0131 Yan Haklar\u0131 ve Telif Haklar\u0131 <span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n\n\n<p> Telif hakk\u0131 yan haklar\u0131 da telif hakk\u0131 yasas\u0131 ile belirlenen haklar oldu\u011fu i\u00e7in, geni\u015f anlamda telif hakk\u0131d\u0131r. Ancak, eserleri yaratan yazarlara verilen haklar olan, m\u00fclkiyet hakk\u0131 olarak dar anlamda telif hakk\u0131ndan farkl\u0131d\u0131r. <\/p>\n\n\n\n<p> M\u00fczik haklar\u0131 denildi\u011finde JASRAC (Japonya M\u00fczik Telif Hakk\u0131 Derne\u011fi) \u00fcnl\u00fcd\u00fcr, ancak JASRAC&#8217;\u0131n y\u00f6netti\u011fi \u015fey sadece (dar anlamda) telif hakk\u0131n\u0131n bir k\u0131sm\u0131d\u0131r ve telif hakk\u0131 yan haklar\u0131 ile ilgisi yoktur. <\/p>\n\n\n\n<p> Yani, m\u00fczi\u011fi kullanmak istiyorsan\u0131z, JASRAC&#8217;a ba\u015fvurman\u0131z ve her \u015feyin tamam oldu\u011funu d\u00fc\u015f\u00fcnmek yerine, kullan\u0131m \u015fekline ba\u011fl\u0131 olarak JASRAC d\u0131\u015f\u0131ndaki hak sahiplerinden de izin alman\u0131z gerekebilir. <\/p>\n\n\n\n<p> YouTube ve NicoNico Video gibi platformlar, kullan\u0131m hakk\u0131nda JASRAC ile kapsaml\u0131 bir anla\u015fma yapm\u0131\u015ft\u0131r, bu nedenle video yay\u0131nc\u0131lar\u0131, JASRAC&#8217;a ba\u015fvurmadan JASRAC y\u00f6netimindeki \u015fark\u0131lar\u0131 yay\u0131nlayabilirler. Ancak bu, sadece JASRAC&#8217;\u0131n y\u00f6netti\u011fi haklar\u0131n, yani m\u00fclkiyet hakk\u0131 olarak telif hakk\u0131n\u0131n \u00f6nceden izin verilmi\u015f oldu\u011fu anlam\u0131na gelir. <\/p>\n\n\n\n<p> Ayr\u0131ca, JASRAC, uyarlamalar\u0131 y\u00f6netmez, bu nedenle JASRAC y\u00f6netimindeki bir \u015fark\u0131y\u0131 d\u00fczenlemek istiyorsan\u0131z, orijinal hak sahibinden (besteci veya m\u00fczik yay\u0131nc\u0131s\u0131) izin alman\u0131z gerekmektedir. <\/p>\n\n\n\n<p> Yani, ticari CD&#8217;ler veya indirilebilir ses kaynaklar\u0131 gibi, orijinal kaynakla ayn\u0131 ses kayna\u011f\u0131n\u0131 kullanarak bir video olu\u015fturmak veya video yay\u0131nlamak istiyorsan\u0131z, master hak sahibinden &#8220;\u00e7o\u011faltma&#8221; veya &#8220;iletim yetene\u011fi&#8221; izni alman\u0131z gerekmektedir. <\/p>\n\n\n\n<p> Ayr\u0131ca, NicoNico Video ve NicoNico Live Broadcast&#8217;ta, baz\u0131 \u015fark\u0131lar i\u00e7in master hak sahibinden izin al\u0131nm\u0131\u015ft\u0131r, bu nedenle bu \u015fark\u0131lar\u0131 ayr\u0131ca izin almadan kullanabilirsiniz. <\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Muzik_Kullanimi_ve_Telif_Hakki_Yan_Haklari\"><\/span> M\u00fczik Kullan\u0131m\u0131 ve Telif Hakk\u0131 Yan Haklar\u0131 <span class=\"ez-toc-section-end\"><\/span><\/h3>\n\n\n\n<p> 2016 y\u0131l\u0131nda TBS a\u011f\u0131ndaki &#8220;Ka\u00e7mak Utan\u00e7 Verici Ama Faydal\u0131d\u0131r&#8221; adl\u0131 dizinin sonunda, Hoshino Gen, kendisinin s\u00f6yledi\u011fi &#8220;Koi&#8221; \u015fark\u0131s\u0131na uygun olarak Aragaki Yui ve di\u011ferleriyle hafif bir dans sergiledi ve &#8220;Koi Dans\u0131&#8221; olarak pop\u00fcler oldu. YouTube ve NicoNico Video gibi video sitelerinde, \u00e7e\u015fitli insanlar &#8220;Koi Dans\u0131&#8221;n\u0131 dans eden videolar\u0131 y\u00fckledi ve o zamanlar Japonya&#8217;daki Amerikan B\u00fcy\u00fckel\u00e7isi Caroline Kennedy&#8217;nin dans etti\u011fi video 8 milyon izlenme say\u0131s\u0131n\u0131 a\u015ft\u0131 ve b\u00fcy\u00fck bir patlama oldu. <\/p>\n\n\n\n<p> Bu, &#8220;Ki\u015fisel \/ kar amac\u0131 g\u00fctmeyen ama\u00e7larla &#8216;Koi Dans\u0131&#8217; videosu olu\u015fturulup yay\u0131nlan\u0131yor&#8221;, &#8220;Kullan\u0131lan ses kayna\u011f\u0131, CD veya da\u011f\u0131t\u0131mdan sat\u0131n al\u0131nan bir ses kayna\u011f\u0131d\u0131r&#8221; ve &#8220;Videonun kullan\u0131ld\u0131\u011f\u0131 ses kayna\u011f\u0131n\u0131n uzunlu\u011fu drama sonu ile ayn\u0131 90 saniye civar\u0131ndad\u0131r&#8221; ko\u015fullar\u0131n\u0131 kar\u015f\u0131lad\u0131\u011f\u0131 s\u00fcrece kullan\u0131labilir, \u00e7\u00fcnk\u00fc bu izin \u00f6nceden master hak sahibi taraf\u0131ndan verilmi\u015ftir, bu nedenle \u00f6zellikle ba\u015fvurman\u0131za gerek kalmadan yay\u0131nlayabilirsiniz (ancak \u015fu anda ko\u015ful s\u00fcresi sona erdi\u011fi i\u00e7in izinsiz yay\u0131n yap\u0131lamaz). <\/p>\n\n\n\n<p> Bu nedenle, ses kayna\u011f\u0131n\u0131n izinsiz kullan\u0131m\u0131 kabul edilemezse, orijinal kayna\u011f\u0131n ayn\u0131s\u0131n\u0131 yapmak, yani bu y\u00f6ntemi kullanabilirsiniz. \u0130stedi\u011finiz ses kayna\u011f\u0131n\u0131 kulak kopyas\u0131 yap\u0131n, kendi enstr\u00fcman\u0131n\u0131z\u0131 \u00e7al\u0131n veya program\u0131 \u00e7al\u0131\u015ft\u0131r\u0131n ve bunu kendi ses kayna\u011f\u0131n\u0131z olarak kullan\u0131n. <\/p>\n\n\n\n<p> Zor olabilir, ancak bu durumda siz orijinal kayna\u011f\u0131n yap\u0131mc\u0131s\u0131 olursunuz, bu nedenle orijinal kayna\u011f\u0131 serbest\u00e7e kullanabilir ve video yay\u0131nlayabilirsiniz. <\/p>\n\n\n\n<p> Ancak, JASRAC ile anla\u015fmas\u0131 olan bir video yay\u0131n sitesi ise bu y\u00f6ntemle sorun yoktur, ancak ki\u015fisel bir bloga koyarsan\u0131z, ayr\u0131ca JASRAC&#8217;tan izin alman\u0131z gerekmektedir. <\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Ozet\"><\/span> \u00d6zet <span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p>Video payla\u015f\u0131m sitelerinde, karaoke e\u015fli\u011finde \u015fark\u0131 s\u00f6yleyen videolar veya CD ses kaynaklar\u0131na uygun dans eden videolar \u00e7ok say\u0131da yay\u0131nlanmaktad\u0131r, ancak bunlar\u0131n \u00e7o\u011fu muhtemelen orijinal plak sahiplerinden izin al\u0131nmam\u0131\u015ft\u0131r.<\/p>\n\n\n\n<p>CD ses kaynaklar\u0131 tabii ki, karaoke barlara da\u011f\u0131t\u0131lan ses kaynaklar\u0131n\u0131 olu\u015fturan i\u015fletmeler de plak \u00fcreticinin haklar\u0131na sahiptir, bu nedenle bu t\u00fcr hak sahiplerinden izin al\u0131nmam\u0131\u015f olmas\u0131, Japon Telif Hakk\u0131 \u0130hlali \u015f\u00fcphesini g\u00fc\u00e7lendirir.<\/p>\n\n\n\n<p>Telif hakk\u0131 ihlali olup olmad\u0131\u011f\u0131n\u0131n belirlenmesi genellikle zordur, bu y\u00fczden deneyimli bir avukat\u0131n tavsiyesini alman\u0131z\u0131 \u00f6neririz.<\/p>\n\n\n\n<p>Arka plan m\u00fczi\u011finin telif hakk\u0131 hakk\u0131nda video arac\u0131l\u0131\u011f\u0131yla bilgi almak isteyenler, l\u00fctfen firmam\u0131z\u0131n YouTube kanal\u0131ndaki videolar\u0131 izleyin.<\/p>\n\n\n\n<p><a href=\"https:\/\/youtu.be\/scmwxNJEV5Q\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/youtu.be\/scmwxNJEV5Q[ja]<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Karaoke m\u00fcziklerini izinsiz kullanarak video olu\u015fturan ve bunlar\u0131 YouTube&#8217;a y\u00fckleyen bir erkek, 2018 Eyl\u00fcl&#8217;de (Heisei 30) belgelerle yarg\u0131lanm\u0131\u015ft\u0131r. Yarg\u0131lama \u015f\u00fcphesi, bir m\u00fczik da\u011f\u0131t\u0131m \u015fi [&hellip;]<\/p>\n","protected":false},"author":32,"featured_media":63831,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17],"tags":[21,41],"acf":[],"_links":{"self":[{"href":"https:\/\/monolith.law\/tr\/wp-json\/wp\/v2\/posts\/61405"}],"collection":[{"href":"https:\/\/monolith.law\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/monolith.law\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/monolith.law\/tr\/wp-json\/wp\/v2\/users\/32"}],"replies":[{"embeddable":true,"href":"https:\/\/monolith.law\/tr\/wp-json\/wp\/v2\/comments?post=61405"}],"version-history":[{"count":3,"href":"https:\/\/monolith.law\/tr\/wp-json\/wp\/v2\/posts\/61405\/revisions"}],"predecessor-version":[{"id":63832,"href":"https:\/\/monolith.law\/tr\/wp-json\/wp\/v2\/posts\/61405\/revisions\/63832"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/monolith.law\/tr\/wp-json\/wp\/v2\/media\/63831"}],"wp:attachment":[{"href":"https:\/\/monolith.law\/tr\/wp-json\/wp\/v2\/media?parent=61405"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/monolith.law\/tr\/wp-json\/wp\/v2\/categories?post=61405"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/monolith.law\/tr\/wp-json\/wp\/v2\/tags?post=61405"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}